Signify opens a European 3D printing hub in Poland! Hundreds of 3D printers will produce lighting fixtures, creating 150 new jobs. Production will begin in Q1 2026 and reach full capacity by mid-next year.
The new Signify plant is being established in Piła, a city in northwestern Poland. Several hundred automated 3D printers will be installe d there to produce lighting fixtures made from recycled granulate. According to Signify, this allows for up to a 70% reduction in carbon footprint.
Additionally, 3D printing will shorten the time to market for new products from 1.5 years to just 14 weeks, offering the company tremendous flexibility.
The investment in Piła complements Signify’s existing R&D and distribution hubs, further strengthening Poland’s position as a key additive manufacturing market in Europe.
Formerly known as Philips Lighting, Signify has long held its position as a global leader in smart and energy-efficient lighting. In 2018, the company rebranded and officially separated from the Philips Group. Today, Signify manages such brands as Philips Hue, Interact, and MyCreation - the latter being entirely based on 3D printing technology.
MyCreation will be the main beneficiary of the new production center in Piła.
Around 300–400 fully automated 3D printers will be installed in the new factory. These industrial machines will operate continuously, day and night, producing lighting fixtures for markets across Europe. Signify has announced that in the first phase it will employ around 60–70 people, but the team is expected to eventually reach 150 employees.
Producing lighting accessories with 3D printers is one thing, but what’s equally intriguing is Signify’s approach to materials.
Instead of traditional injection molding or casting with virgin plastics, the Piła plant will use polycarbonate granulate derived from oil-based waste - both petrochemical and food-related.
In other words: the lamps hanging from your ceiling will be made from processed waste.
Additionally, 70% of the fixtures will be fully recyclable, and 65% of the raw materials used in their production will come from recycled or bio-based sources.
Industrial 3D printing of light
3D printing in the lighting industry is not a new concept. Several years ago, companies began experimenting with printed shades and lamp housings, mainly in the design segment.
However, it is only Signify that has managed to transform this idea into a real industrial process operating at the scale of a large factory.
According to company data, additive manufacturing technology allows the time to market to be reduced from the typical 18 months to just 14 weeks. This is a revolution - not only in production but also in how companies think about design, storage, and sales.
3D printing also enables experiments with forms that were previously impossible. A lamp can now have a structure resembling tissue, mesh, or organic patterns.
In 2023–2024, I personally experimented with 3D printing in the lighting industry. As GREENFILL3D, we created biodegradable and compostable eco-lampshades printed from proprietary filaments blended with wheat bran or potato starch.









Of course, the scale was incomparable to Signify’s, but I fully understand the immense potential in combining light and 3D printing - and how difficult it is to harness that potential in practice.
More than just a plastic lampshade
Producing such objects requires not only precise machines but also a deep understanding of the material. Every change in temperature, speed, cooling, or material composition can completely alter the final result.
Printing lamps is not just “printing plastic” - it’s the creation of delicate structures that must simultaneously transmit light, dissipate heat, and maintain aesthetics. It’s a combination of physics, chemistry, and design.
Everything suggests that 3D printing in lighting will become a standard in the coming years - perhaps not the only one, but certainly one of the key production models. For companies like Signify, it’s not only a way to lower costs and speed up production but also a real step toward a circular economy.
At the same time, 3D printing revives something the industry has long lost - a human scale.
In the additive model, you don’t produce hundreds of thousands of identical objects but exactly as many as you need. Each product can be different, unique. In this way, technology brings individuality back into the world of manufacturing.
It’s a return to craftsmanship - but in a modern, digital form.
All lampshade photos used in this article are the property of GREENFIELD & COLORISED
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